Mexico City — October 2026 — Fuera de servicio: cascajos administrativos, brings together paintings, sculptures, found and altered objects, display cases, broken machines, furniture, sounds, and architectural elements whose arrangement destabilizes the original functions of things. Muñoz explores the leaks that occur through reordering and modification, drawing attention to what remains after something has been altered. The purpose of objects—and, with it, the possibility of defining them in fixed terms—is left suspended in the uncertainty of a scene that comes after the event that produced it. The exhibition does not try to reconstruct meaning; instead, it sustains the coexistence of ambivalence and contradiction.

The works complicate autobiographical confession by pulling it away from transparency and honesty: personal experience becomes residual material, then undergoes fictional shifts that fragment it. Sexuality, violence, illness, and fragility move beyond the private sphere and…