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This exhibition brings together important early works by Michael Krebber: sculptures, paintings, works on paper, photographs and a film made between 1977 and 1993. Several of the works on view emerged through defining collaborations with other artists. The title of the exhibition, Angeldust, comes from a 1987 text by Krebber, a rant on the early work of Piero Manzoni. The exhibition is conceived together with Michael Krebber and Michael Sanchez, the author of the artist’s catalogue raisonné.
The large chalkboard-sized painting was made for Michael Krebber’s first solo exhibition, which took place in 1986 at Fettstraße 7a in Hamburg. The painting depicts two amoeba-like forms suspended in a blueish liquid. Variations on these two shapes reappear in related drawings from the same year. This is the earliest instance of a motif that will recur throughout Krebber’s work.
From 1986 to 1987, Michael Krebber worked as an assistant to Martin Kippenberger. During this time, he conceived and…
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Press Release
This exhibition brings together important early works by Michael Krebber: sculptures, paintings, works on paper, photographs and a film made between 1977 and 1993. Several of the works on view emerged through defining collaborations with other artists. The title of the exhibition, Angeldust, comes from a 1987 text by Krebber, a rant on the early work of Piero Manzoni. The exhibition is conceived together with Michael Krebber and Michael Sanchez, the author of the artist’s catalogue raisonné.
The large chalkboard-sized painting was made for Michael Krebber’s first solo exhibition, which took place in 1986 at Fettstraße 7a in Hamburg. The painting depicts two amoeba-like forms suspended in a blueish liquid. Variations on these two shapes reappear in related drawings from the same year. This is the earliest instance of a motif that will recur throughout Krebber’s work.
From 1986 to 1987, Michael Krebber worked as an assistant to Martin Kippenberger. During this time, he conceived and…
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