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In their first solo exhibition at Trautwein Herleth, Carolyn Lazard examines the scribbles, blank pages, and ocular traces that shape our experiences of critical care. Focusing on the material and administrative tools that reinscribe healthcare's authorial register, the exhibition explores how medical commerce influences medical treatment. Additionally, objects used to dress medical sets in visual culture are recontextualized and rescripted – alienated from their practical use as either props or authentic artifacts. This exhibition probes medicine’s representation of itself, while simultaneously reframing the visual experience of both patient and provider, gesturing toward that which can neither be described nor prescribed.
In the 1980s and 90s, there was a noticeable increase in the distribution of so-called “reminder” objects from drug makers to doctors. Beginning on January 1, 2009, the Pharmaceutical Research and Manufacturers of America (PhRMA) issued a directive to drug makers,…
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In their first solo exhibition at Trautwein Herleth, Carolyn Lazard examines the scribbles, blank pages, and ocular traces that shape our experiences of critical care. Focusing on the material and administrative tools that reinscribe healthcare's authorial register, the exhibition explores how medical commerce influences medical treatment. Additionally, objects used to dress medical sets in visual culture are recontextualized and rescripted – alienated from their practical use as either props or authentic artifacts. This exhibition probes medicine’s representation of itself, while simultaneously reframing the visual experience of both patient and provider, gesturing toward that which can neither be described nor prescribed.
In the 1980s and 90s, there was a noticeable increase in the distribution of so-called “reminder” objects from drug makers to doctors. Beginning on January 1, 2009, the Pharmaceutical Research and Manufacturers of America (PhRMA) issued a directive to drug makers,…
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