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Trautwein Herleth is pleased to announce a solo exhibition by Los Angeles based painter Rebecca Morris. Straightforwardly titled, #33, this exhibition is Morris’s 33rd solo exhibition. It is also her fifth solo exhibition with the gallery, marking two decades of collaboration.
In this latest body of work, Morris pushes onward in her rigorous interrogation of abstraction. Her commitment to the non-objective is the essence of her practice and the expansiveness of this devotion is reflected in the paintings on view here. The six large-scale canvases rise to the task of accommodating Morris’s gleeful multivalence – towards materials, composition, color, craft, art and design history, and the spectrum of good and bad taste. Like the title of the exhibition, the paintings’ titles are also products of a sequential numbering system, but this systemization belies the freewheeling spirit of Morris’s work. Openness and embrace of improvisation run through her painterly approach. Working with…
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Press Release
Trautwein Herleth is pleased to announce a solo exhibition by Los Angeles based painter Rebecca Morris. Straightforwardly titled, #33, this exhibition is Morris’s 33rd solo exhibition. It is also her fifth solo exhibition with the gallery, marking two decades of collaboration.
In this latest body of work, Morris pushes onward in her rigorous interrogation of abstraction. Her commitment to the non-objective is the essence of her practice and the expansiveness of this devotion is reflected in the paintings on view here. The six large-scale canvases rise to the task of accommodating Morris’s gleeful multivalence – towards materials, composition, color, craft, art and design history, and the spectrum of good and bad taste. Like the title of the exhibition, the paintings’ titles are also products of a sequential numbering system, but this systemization belies the freewheeling spirit of Morris’s work. Openness and embrace of improvisation run through her painterly approach. Working with…
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