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Studiolo bureau is pleased to host HIDE & SICK (Ceci Tuera Cela part II), the first Italian solo exhibition by artist Eliott Paquet (Paris, 1990), curated by Studiolo and accompanied by a text by Gabriella Gasparini.
The exhibition is the second chapter of a project shown in autumn 2024 in the spaces of the atelier Poush in Paris and entitled “Ceci Tuera Cela” (This Will Kill That) — an expression taken from Victor Hugo’s novel Notre-Dame de Paris and pronounced by the archdeacon Claude Frollo as, with his hand resting on a book, he observes the cathedral of the same name. A prophetic act meant to imply that the invention of printing would gradually supplant the symbolic function of monumental architecture; the hundreds of iconographies contained in religious artifacts gave way to a more scientific medium, easily reproducible, that directly entered everyone’s home. In this brief passage Hugo reminds us how every progress is inevitably accompanied by the loss of something else, and it…
Exhibition Space
Press Release
Studiolo bureau is pleased to host HIDE & SICK (Ceci Tuera Cela part II), the first Italian solo exhibition by artist Eliott Paquet (Paris, 1990), curated by Studiolo and accompanied by a text by Gabriella Gasparini.
The exhibition is the second chapter of a project shown in autumn 2024 in the spaces of the atelier Poush in Paris and entitled “Ceci Tuera Cela” (This Will Kill That) — an expression taken from Victor Hugo’s novel Notre-Dame de Paris and pronounced by the archdeacon Claude Frollo as, with his hand resting on a book, he observes the cathedral of the same name. A prophetic act meant to imply that the invention of printing would gradually supplant the symbolic function of monumental architecture; the hundreds of iconographies contained in religious artifacts gave way to a more scientific medium, easily reproducible, that directly entered everyone’s home. In this brief passage Hugo reminds us how every progress is inevitably accompanied by the loss of something else, and it…
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