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The Sapieha Palace’s inaugural exhibition seeks to unfold the palace’s spirit and history as well as the diverse narratives surrounding its past. The works on display and their arrangement act as a soft, transparent layer placed over the palace spaces, having been painted and repainted multiple times. The spatial and conceptual interaction thus reveals the previous and ongoing influence of a multitude of forces. The exhibition will run until the end of the year, undergoing constant changes throughout this period.
The writer Ursula Le Guin considered most stories to be straight as an arrow, noisy and dramatic, revolving around heroes, their hardships, struggles, achievements, and tragic endings. However, weapons and hunting, as she points out, were invented later than the handful or the armful for gathering food. The stories of how something is gathered in pieces, brought home, what takes time, what falls into oblivion or repeats day after day, are neither arrow- nor spear-shaped. Yet…
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Press Release
The Sapieha Palace’s inaugural exhibition seeks to unfold the palace’s spirit and history as well as the diverse narratives surrounding its past. The works on display and their arrangement act as a soft, transparent layer placed over the palace spaces, having been painted and repainted multiple times. The spatial and conceptual interaction thus reveals the previous and ongoing influence of a multitude of forces. The exhibition will run until the end of the year, undergoing constant changes throughout this period.
The writer Ursula Le Guin considered most stories to be straight as an arrow, noisy and dramatic, revolving around heroes, their hardships, struggles, achievements, and tragic endings. However, weapons and hunting, as she points out, were invented later than the handful or the armful for gathering food. The stories of how something is gathered in pieces, brought home, what takes time, what falls into oblivion or repeats day after day, are neither arrow- nor spear-shaped. Yet…
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