It Meant Something Before, But Now It Means Nothing
Post Times•May 29, 2026 — Jul 25, 2026
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Jason Yates’s work engages the afterlives of American cultural symbols, exploring the emotional residue of objects, characters, and images that once carried clear collective meaning but now persist in altered, often ambiguous forms. Drawing from vernacular design, childhood iconography, commercial nostalgia, and the detritus of mass culture, Yates treats familiar imagery not as fixed symbols, but as unstable emotional artifacts—simultaneously sincere and absurd, comforting and unsettling. His practice frequently centers on figures that occupy a strange threshold between recognition and estrangement, where sentimentality begins to collapse into something darker, more uncanny, or unexpectedly melancholic.
Working across sculpture, painting, drawing, and assemblage, Yates transforms culturally familiar forms into psychologically charged encounters with memory, obsolescence, and symbolic exhaustion. His works often foreground support structures, scale shifts, and material displacements…
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It Meant Something Before, But Now It Means Nothing
Post Times•May 29, 2026 — Jul 25, 2026
Press Release
Jason Yates’s work engages the afterlives of American cultural symbols, exploring the emotional residue of objects, characters, and images that once carried clear collective meaning but now persist in altered, often ambiguous forms. Drawing from vernacular design, childhood iconography, commercial nostalgia, and the detritus of mass culture, Yates treats familiar imagery not as fixed symbols, but as unstable emotional artifacts—simultaneously sincere and absurd, comforting and unsettling. His practice frequently centers on figures that occupy a strange threshold between recognition and estrangement, where sentimentality begins to collapse into something darker, more uncanny, or unexpectedly melancholic.
Working across sculpture, painting, drawing, and assemblage, Yates transforms culturally familiar forms into psychologically charged encounters with memory, obsolescence, and symbolic exhaustion. His works often foreground support structures, scale shifts, and material displacements…














































































