More Exhibitions at Parallel Oaxaca
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In Silhouettes, the intertwining of corporeal representation expands materialities and expressions as an unusual dynamic: a transfiguration and recasting of diverse economies that both contain and cross us.
At the confluence of subject / object, presence / time, the exhibition considers the body’s sovereignty within the aesthetic experience of corporate culture. Against the reduction to stereotypes, it foregrounds desire as a structuring force, moving toward a constellation that reimagines mythologies.
A presence expanding its borders, a body re-negotiating visibility, its social conditioning, affects, and the erasure caused by spectacle and its framing of subjects, rendering artworks as possibilities for a figuration saturated with desire, where private emotions become visible.
The works of Nahum B. Zenil in Silhouettes are presented for the first time within a curatorial context following the artist’s solo exhibition at the Museo de Arte Moderno, El gran circo del Mundo, in…
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Press Release
In Silhouettes, the intertwining of corporeal representation expands materialities and expressions as an unusual dynamic: a transfiguration and recasting of diverse economies that both contain and cross us.
At the confluence of subject / object, presence / time, the exhibition considers the body’s sovereignty within the aesthetic experience of corporate culture. Against the reduction to stereotypes, it foregrounds desire as a structuring force, moving toward a constellation that reimagines mythologies.
A presence expanding its borders, a body re-negotiating visibility, its social conditioning, affects, and the erasure caused by spectacle and its framing of subjects, rendering artworks as possibilities for a figuration saturated with desire, where private emotions become visible.
The works of Nahum B. Zenil in Silhouettes are presented for the first time within a curatorial context following the artist’s solo exhibition at the Museo de Arte Moderno, El gran circo del Mundo, in…







































































































