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MBG: I like to start with formal analysis. Can you share a description of the contents of the exhibition that you know of thus far?
DB: Words and objects and images. A whole mess of them, some striving for cogency and limpidity, and others attempting to be somewhat fearless in the face of being too legible.
MBG: Are any of the artworks part of existing series or have they been exhibited before in different contexts?
DB: Many are extracted from previous bodies' contexts and themes. Others are unapologetic (concomitantly embarrassing) continuations of existing series. Some are mutations that may fail to improve (or improve to fail!) on the original "species." Others are attempts at meaningfully distinct novelty.
MBG: Are there any connections between the works selected for the show? How do they fit together?
DB: Habits, which must be something like metabolized attempts-at and demands-of rigor. In short the aforementioned word ob…
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Press Release
MBG: I like to start with formal analysis. Can you share a description of the contents of the exhibition that you know of thus far?
DB: Words and objects and images. A whole mess of them, some striving for cogency and limpidity, and others attempting to be somewhat fearless in the face of being too legible.
MBG: Are any of the artworks part of existing series or have they been exhibited before in different contexts?
DB: Many are extracted from previous bodies' contexts and themes. Others are unapologetic (concomitantly embarrassing) continuations of existing series. Some are mutations that may fail to improve (or improve to fail!) on the original "species." Others are attempts at meaningfully distinct novelty.
MBG: Are there any connections between the works selected for the show? How do they fit together?
DB: Habits, which must be something like metabolized attempts-at and demands-of rigor. In short the aforementioned word ob…
