Thoughts in No Particular Order, Given the Circumstances
Kunstverein Kevin•Jun 12, 2026 — Aug 01, 2026
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Thoughts in No Particular Order, Given the Circumstances, a group exhibition with Clémentine Adou, Anna Budniewski, Mara Jenny, Troy Montes-Michie, Kofi Møller, and Ceidra Moon Murphy, takes its title from a chapter in Félix Guattari’s The Anti-Oedipus Papers – a diaristic, fragmentary text in which thought proceeds associatively, resistant to the organising pressures of argument or conclusion. The chapter was shared with each participating artist not as a thematic directive but as a shared material: something each was invited to read according to their own practice, to engage selectively, to misread, redirect, or resist. What each work makes of the text – whether it is absorbed, deflected, or left largely untouched – remains as open as the reading itself; Guattari’s writing functions not as a frame that determines meaning in advance, but as a surface across which individual interpretive decisions become legible.
It is within this investment in the indeterminate that Guattari’s…
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Thoughts in No Particular Order, Given the Circumstances
Kunstverein Kevin•Jun 12, 2026 — Aug 01, 2026
Press Release
Thoughts in No Particular Order, Given the Circumstances, a group exhibition with Clémentine Adou, Anna Budniewski, Mara Jenny, Troy Montes-Michie, Kofi Møller, and Ceidra Moon Murphy, takes its title from a chapter in Félix Guattari’s The Anti-Oedipus Papers – a diaristic, fragmentary text in which thought proceeds associatively, resistant to the organising pressures of argument or conclusion. The chapter was shared with each participating artist not as a thematic directive but as a shared material: something each was invited to read according to their own practice, to engage selectively, to misread, redirect, or resist. What each work makes of the text – whether it is absorbed, deflected, or left largely untouched – remains as open as the reading itself; Guattari’s writing functions not as a frame that determines meaning in advance, but as a surface across which individual interpretive decisions become legible.
It is within this investment in the indeterminate that Guattari’s…

















































































