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Titled for the former antiquities shop now leased to Kunstverein Kevin Space, Rachel Fäth’s exhibition, Antiquitäten, consists of a series of four sculptures titled Locker 1-4 and a large pane of glass that bisects Kevin Space’s two main rooms, sealing off physical access to the second.
Each of the Locker sculptures was made in a community workshop in New York that Fäth opted for in lieu of a private studio. There, she worked in a shared metal shop during the day, and stored her works-in-progress in an onsite locker overnight. These constraints came to determine the form of the sculptures, as she amalgamated varied scraps of found, gifted, and purchased steel to fill units of space measuring 1 x 1 ½ x 2 ft. Each work is a negative impression of a locker’s interior.
The Lockers are images of volumes available for rent. Densely compressed, they represent the maximal use of minimal available space. In a paradoxical inversion, steel—a material quintessential of modernist architecture’s…
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Press Release
Titled for the former antiquities shop now leased to Kunstverein Kevin Space, Rachel Fäth’s exhibition, Antiquitäten, consists of a series of four sculptures titled Locker 1-4 and a large pane of glass that bisects Kevin Space’s two main rooms, sealing off physical access to the second.
Each of the Locker sculptures was made in a community workshop in New York that Fäth opted for in lieu of a private studio. There, she worked in a shared metal shop during the day, and stored her works-in-progress in an onsite locker overnight. These constraints came to determine the form of the sculptures, as she amalgamated varied scraps of found, gifted, and purchased steel to fill units of space measuring 1 x 1 ½ x 2 ft. Each work is a negative impression of a locker’s interior.
The Lockers are images of volumes available for rent. Densely compressed, they represent the maximal use of minimal available space. In a paradoxical inversion, steel—a material quintessential of modernist architecture’s…
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More Exhibitions at Kunstverein Kevin
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