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Press Release

Representation must no longer be understood as the externalized animation of a dead object, such as an ornate vase or a carved chair, but rather ought to be thought of as having the qualities of a brick, which actively inhabits multiple modes of being. The brick is an eternally immanent object, lost in its own multiplicity, both containing and obscuring its image, referring unambiguously to itself, forever trading places with – while never actually touching – the word that describes it.

Materials have long been thought of as passive receptacles awaiting realization by the ideational force of form, but this conception fails to capture the interplay of the two in processes of production. To take on the shape of a brick, clay is not imposed upon by a preexisting mold; rather, it becomes individuated through a negotiation with form. Clay is not simply molded, it has a prismatically reciprocal and attuned encounter with its potentiality – setting rules about the form it can take, based on…

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Exhibition Space
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422 Ord St #2b, Los Angeles, CA 90012, USA
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Created by claro on Jun 11, 2026 at 16:00
Edited by claro on Jun 11, 2026 at 16:01
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Botteghe Oscure
Image gallery (36)
Photo: Josh Schaedel / Courtesy: Gene's Dispensary
GROUP EXHIBITIONON VIEW

Botteghe Oscure

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Press Release

Representation must no longer be understood as the externalized animation of a dead object, such as an ornate vase or a carved chair, but rather ought to be thought of as having the qualities of a brick, which actively inhabits multiple modes of being. The brick is an eternally immanent object, lost in its own multiplicity, both containing and obscuring its image, referring unambiguously to itself, forever trading places with – while never actually touching – the word that describes it.

Materials have long been thought of as passive receptacles awaiting realization by the ideational force of form, but this conception fails to capture the interplay of the two in processes of production. To take on the shape of a brick, clay is not imposed upon by a preexisting mold; rather, it becomes individuated through a negotiation with form. Clay is not simply molded, it has a prismatically reciprocal and attuned encounter with its potentiality – setting rules about the form it can take, based on…

More expand_more
Exhibition Space
View exhibitionspace
422 Ord St #2b, Los Angeles, CA 90012, USA
View all exhibitions in... Los Angeles, CA, US
Represent Gene's Dispensary? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
More Exhibitions at Gene's Dispensary
View exhibition
ON VIEW
Ongoing exhibition
Gene's DispensaryTaiban, NM 88119, USA
View exhibition
Apr 04, 2026 — May 09, 2026
Gene's Dispensary422 Ord St #2b, Los Angeles, CA 90012, USA
View exhibition
Feb 21, 2026 — Mar 28, 2026
Gene's Dispensary422 Ord St #2b, Los Angeles, CA 90012, USA
View exhibition
Jan 10, 2026 — Feb 14, 2026
Gene's Dispensary422 Ord St #2b, Los Angeles, CA 90012, USA
View exhibition
Nov 22, 2025 — Jan 03, 2026
Gene's Dispensary422 Ord St #2b, Los Angeles, CA 90012, USA
More
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by claro on Jun 11, 2026 at 16:00
Edited by claro on Jun 11, 2026 at 16:01
Edits: 1
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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