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Galleria Umberto Di Marino is pleased to announce Guendalina malatesta, Guendalina Cerruti’s first solo exhibition in Naples. For the occasion, the artist presents a new series of sculptural, environmental, and wall-based works developed around a precise tension: that between creative potential and constraint, between an imagination spiraling vertiginously inward upon itself and a reality that seeks to compress it.
Metal meshes, golden threads, and hundreds of butterflies recur insistently according to a logic that borders on obsession, yet is rooted in a slow and disciplined practice. The creative gesture takes on the contours of a manual and patient craft, close to an artisanal dimension in which repetition becomes both method and measure. Within this process, the DIY aesthetic emerges as a form of resistance: a resistance of the sensible against hyper-rationality and standardization, as a practice of redistributing value.
Through a system of references and accumulations, what is…
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Press Release
Galleria Umberto Di Marino is pleased to announce Guendalina malatesta, Guendalina Cerruti’s first solo exhibition in Naples. For the occasion, the artist presents a new series of sculptural, environmental, and wall-based works developed around a precise tension: that between creative potential and constraint, between an imagination spiraling vertiginously inward upon itself and a reality that seeks to compress it.
Metal meshes, golden threads, and hundreds of butterflies recur insistently according to a logic that borders on obsession, yet is rooted in a slow and disciplined practice. The creative gesture takes on the contours of a manual and patient craft, close to an artisanal dimension in which repetition becomes both method and measure. Within this process, the DIY aesthetic emerges as a form of resistance: a resistance of the sensible against hyper-rationality and standardization, as a practice of redistributing value.
Through a system of references and accumulations, what is…

































