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The exhibition brings together three artistic voices – Anzhelika Palyvoda, Sofiia Yesakova, and Celine Struger – in a shared reflection on how memories of authoritarian structures and rules persist in the present, not clear, but as distorted echo. Each artist engages with the past not as given history but as the ghostly, flickering, and alive residual POV of opressing forces clinging to surfaces, images, and materials. The works resist the linearity of time; they allow the past to seep into the now through visual cracks, material decay, and sensorial traces. The exhibition introduces the architectural concept of the anatomic theatre: A site, merely constructed for everyone to see what is going on during the dissection of a body. A paradigm of that is consensus: The consensus of silent witnessing, while not interfering in the violent act.
technical and production support, curatorial collaboration
Jan Bražina, Marie Vařeková
graphic design
Kateřina Srbová, Barbora Malo
photo report
Polina…
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Press Release
The exhibition brings together three artistic voices – Anzhelika Palyvoda, Sofiia Yesakova, and Celine Struger – in a shared reflection on how memories of authoritarian structures and rules persist in the present, not clear, but as distorted echo. Each artist engages with the past not as given history but as the ghostly, flickering, and alive residual POV of opressing forces clinging to surfaces, images, and materials. The works resist the linearity of time; they allow the past to seep into the now through visual cracks, material decay, and sensorial traces. The exhibition introduces the architectural concept of the anatomic theatre: A site, merely constructed for everyone to see what is going on during the dissection of a body. A paradigm of that is consensus: The consensus of silent witnessing, while not interfering in the violent act.
technical and production support, curatorial collaboration
Jan Bražina, Marie Vařeková
graphic design
Kateřina Srbová, Barbora Malo
photo report
Polina…









