Space 13 Room 14 Crypt
Fundació Joan Miró•Apr 22, 2026 — Jul 05, 2026
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Espai 13 presents Space 13 Room 14 Crypt, a solo exhibition by Michael Kleine.
Through the use of presences and absences, Michael Kleine’s installation brings together different spatial dimensions: architectural, psychological and historical. By rearranging a series of objects from the collections of the Museu Frederic Marés, the exhibition looks at how already exiting conditions such as the intensity of light, the movement across the building, the volumes of emptiness or the space’s acoustics determine presence. There is a friction between those conditions and the borrowed objects, in which energy appears as a historical flow. The edges between objects, bodies and temporalities dissolve in a greater enveloping environment. This atmospheric condition emerges from a kind of invisible tunnel that connects the radical dependency and porousness across institutions, spaces, objects and bodies, stretching the transitional into a dramaturgy that destabilizes the very notion of…
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Space 13 Room 14 Crypt
Fundació Joan Miró•Apr 22, 2026 — Jul 05, 2026
Press Release
Espai 13 presents Space 13 Room 14 Crypt, a solo exhibition by Michael Kleine.
Through the use of presences and absences, Michael Kleine’s installation brings together different spatial dimensions: architectural, psychological and historical. By rearranging a series of objects from the collections of the Museu Frederic Marés, the exhibition looks at how already exiting conditions such as the intensity of light, the movement across the building, the volumes of emptiness or the space’s acoustics determine presence. There is a friction between those conditions and the borrowed objects, in which energy appears as a historical flow. The edges between objects, bodies and temporalities dissolve in a greater enveloping environment. This atmospheric condition emerges from a kind of invisible tunnel that connects the radical dependency and porousness across institutions, spaces, objects and bodies, stretching the transitional into a dramaturgy that destabilizes the very notion of…
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