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Betrayals of the Possible, Luzie Meyer’s second solo exhibition at Fanta-MLN, incorporates a six channel audio installation and a series of Argyrotype prints.
Berlin Piece for Voice and Tap Dance (2025) is a 20-minute six-channel audio installation originally commissioned by the 13th Berlin Biennale. The basis for the sonic composition are sounds produced by tap dancer Cristina Delius. Formed by heterogeneous traditions, tap is rooted in multiculturalism, histories of colonial oppression, and the New York entertainment industry. Echoing the syncopated rhythms of the “machine age,” tap dance conjures a dialectics of freedom and restraint.
The piece also features a poetic text in English and German, employing rhymes, alliterations, homophony, semantic shifts, metaphors, neologisms and wordplay, interweaving multiple registers of meaning through repetition and sonic patterning.
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Press Release
Betrayals of the Possible, Luzie Meyer’s second solo exhibition at Fanta-MLN, incorporates a six channel audio installation and a series of Argyrotype prints.
Berlin Piece for Voice and Tap Dance (2025) is a 20-minute six-channel audio installation originally commissioned by the 13th Berlin Biennale. The basis for the sonic composition are sounds produced by tap dancer Cristina Delius. Formed by heterogeneous traditions, tap is rooted in multiculturalism, histories of colonial oppression, and the New York entertainment industry. Echoing the syncopated rhythms of the “machine age,” tap dance conjures a dialectics of freedom and restraint.
The piece also features a poetic text in English and German, employing rhymes, alliterations, homophony, semantic shifts, metaphors, neologisms and wordplay, interweaving multiple registers of meaning through repetition and sonic patterning.
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