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Entrée is proud to present Ljospost (Light Post), Marthe Minde’s first solo exhibition in Bergen. The exhibition features new works in which textile art is extended into the sculptural and the lyrical. Rooted in Western Norway, and with thread as both tool and conceptual figure, Minde develops an artistic language that brings together material knowledge, existential experience, and belonging.
In 1897, Frida Hansen patented a weaving technique for the upright loom known as the transparent technique. By using a wool warp and leaving parts of the warp unwoven, she created textiles through which light could pass. Inspired by Hansen’s technique and artistic practice, Minde has spent the past ten years exploring different methods for weaving three-dimensionally and transparently on a manual floor loom.
In the exhibition at Entrée, Minde weaves the outdoor lights she sees from the kitchen window of her childhood home. One lantern hangs on a wall beneath an overhanging roof, the other stands…
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Press Release
Entrée is proud to present Ljospost (Light Post), Marthe Minde’s first solo exhibition in Bergen. The exhibition features new works in which textile art is extended into the sculptural and the lyrical. Rooted in Western Norway, and with thread as both tool and conceptual figure, Minde develops an artistic language that brings together material knowledge, existential experience, and belonging.
In 1897, Frida Hansen patented a weaving technique for the upright loom known as the transparent technique. By using a wool warp and leaving parts of the warp unwoven, she created textiles through which light could pass. Inspired by Hansen’s technique and artistic practice, Minde has spent the past ten years exploring different methods for weaving three-dimensionally and transparently on a manual floor loom.
In the exhibition at Entrée, Minde weaves the outdoor lights she sees from the kitchen window of her childhood home. One lantern hangs on a wall beneath an overhanging roof, the other stands…
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