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Empty Gallery is pleased to present our first exhibition with Hong Kong-based filmmaker Chan Hau Chun. Chan’s quietly radical moving image practice is defined by a sense of diaristic intimacy and empathetic distance grounded in a deep regard for her city and its inhabitants—both past and future. Depicting the affective landscape of contemporary Hong Kong through a direct engagement with figures who rarely (if ever) enter into the matrix of official representation, Chan’s films bear witness to the presence of a precarious and yet defiant autonomy which might be nothing more than the continued practice of simply living. For her show at Empty, Chan will debut a new moving image work entitled《記憶座標 》which weaves together elements of landscape cinema, autobiography and guerilla reportage in a poignant exploration of time, memory, and loss after the protests.
Map of Traces, Chan’s English title, already serves to elucidate some of the thematic strands which structure her film. Inherent in…
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Press Release
Empty Gallery is pleased to present our first exhibition with Hong Kong-based filmmaker Chan Hau Chun. Chan’s quietly radical moving image practice is defined by a sense of diaristic intimacy and empathetic distance grounded in a deep regard for her city and its inhabitants—both past and future. Depicting the affective landscape of contemporary Hong Kong through a direct engagement with figures who rarely (if ever) enter into the matrix of official representation, Chan’s films bear witness to the presence of a precarious and yet defiant autonomy which might be nothing more than the continued practice of simply living. For her show at Empty, Chan will debut a new moving image work entitled《記憶座標 》which weaves together elements of landscape cinema, autobiography and guerilla reportage in a poignant exploration of time, memory, and loss after the protests.
Map of Traces, Chan’s English title, already serves to elucidate some of the thematic strands which structure her film. Inherent in…
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More Exhibitions at Empty Gallery
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