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According to the Zohar, or Book of Mystics, skin is the tunic that is said to have clothed Adam and Eve after the Fall. A paradoxical garment, it is both what separates the individual from the world and what enables a relationship with it—simultaneously a point of contact and a boundary. It is this permeable zone, this site of passage and inflection, that Hudinilson Jr., Matthias Odin, and Nobuko Tsuchiya each explore in their own way, revealing skin as a sensitive space where self-perception, relations to others, and construction of new imaginaries intersect.
In the work of Hudinilson Jr. (1957–2013, Brazil), skin becomes an abstract landscape, a territory to beprobed. From the late 1970s onward, photocopying became his primary medium: immediate, reproducible, and mechanical, it allowed him to manipulate, fragment, and decenter his own body until it became unrecognizable. With the collective 3NÓS3, he repurposed the printers of the University of São Paulo to push self-representation…
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Press Release
According to the Zohar, or Book of Mystics, skin is the tunic that is said to have clothed Adam and Eve after the Fall. A paradoxical garment, it is both what separates the individual from the world and what enables a relationship with it—simultaneously a point of contact and a boundary. It is this permeable zone, this site of passage and inflection, that Hudinilson Jr., Matthias Odin, and Nobuko Tsuchiya each explore in their own way, revealing skin as a sensitive space where self-perception, relations to others, and construction of new imaginaries intersect.
In the work of Hudinilson Jr. (1957–2013, Brazil), skin becomes an abstract landscape, a territory to beprobed. From the late 1970s onward, photocopying became his primary medium: immediate, reproducible, and mechanical, it allowed him to manipulate, fragment, and decenter his own body until it became unrecognizable. With the collective 3NÓS3, he repurposed the printers of the University of São Paulo to push self-representation…
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