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Clémence de La Tour du Pin

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Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
Clémence de La Tour du Pin
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Clémence de La Tour du Pin
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Clémence de La Tour du Pin
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Clémence de La Tour du Pin
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Press Release

This exhibition presents a new series of elongated, asphalt-darkened works hung as a low horizon line. The narrow, compressed format frames instances of movement within solid, contoured boundaries. Composed of two or three parts, the oil painted works are articulated with metal umbrella ribs that extend across their surfaces in diagrammatic formations. Intricate, curving, and V-shaped lines trace directional motion over sedimentary texture, resonating with archival photographs I’ve been drawn to—those of subatomic particle paths and the mechanical infrastructures of refining plants.


An additional elongated work comprises paintings derived from fabric patterns. The motif, drawn from my previous work, is isolated, stretched, cut and reassembled into sequential arrangements. Through several composite layers of paint, cracks emerge upon the surface. These fractures introduce a less controlled formal register, emphasizing responsive handling and qualities inherent to the materials.


In the…

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197 Grand St #2W, New York, NY 10013, USA
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verified Complete entry
Created by typhoon on Jan 29, 2026 at 14:25
Edited by frenchmontana on Feb 03, 2026 at 00:08
Edits: 2
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Clémence de La Tour du Pin
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Courtesy: Derosia
SOLO EXHIBITION

Clémence de La Tour du Pin

1 watcher
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Press Release

This exhibition presents a new series of elongated, asphalt-darkened works hung as a low horizon line. The narrow, compressed format frames instances of movement within solid, contoured boundaries. Composed of two or three parts, the oil painted works are articulated with metal umbrella ribs that extend across their surfaces in diagrammatic formations. Intricate, curving, and V-shaped lines trace directional motion over sedimentary texture, resonating with archival photographs I’ve been drawn to—those of subatomic particle paths and the mechanical infrastructures of refining plants.


An additional elongated work comprises paintings derived from fabric patterns. The motif, drawn from my previous work, is isolated, stretched, cut and reassembled into sequential arrangements. Through several composite layers of paint, cracks emerge upon the surface. These fractures introduce a less controlled formal register, emphasizing responsive handling and qualities inherent to the materials.


In the…

More expand_more
Exhibition Space
View exhibitionspace
197 Grand St #2W, New York, NY 10013, USA
View all exhibitions in... New York, NY, US
Represent Derosia? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Artwork Checklist
View artwork
Clémence de La Tour du Pin
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Clémence de La Tour du Pin
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Clémence de La Tour du Pin
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Clémence de La Tour du Pin
View artwork
Clémence de La Tour du Pin
More
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Metadata
verified Complete entry
Created by typhoon on Jan 29, 2026 at 14:25
Edited by frenchmontana on Feb 03, 2026 at 00:08
Edits: 2
Views:
Watchers 1
People are watching this exhibition.
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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