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This exhibition presents a new series of elongated, asphalt-darkened works hung as a low horizon line. The narrow, compressed format frames instances of movement within solid, contoured boundaries. Composed of two or three parts, the oil painted works are articulated with metal umbrella ribs that extend across their surfaces in diagrammatic formations. Intricate, curving, and V-shaped lines trace directional motion over sedimentary texture, resonating with archival photographs I’ve been drawn to—those of subatomic particle paths and the mechanical infrastructures of refining plants.
An additional elongated work comprises paintings derived from fabric patterns. The motif, drawn from my previous work, is isolated, stretched, cut and reassembled into sequential arrangements. Through several composite layers of paint, cracks emerge upon the surface. These fractures introduce a less controlled formal register, emphasizing responsive handling an…
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Press Release
This exhibition presents a new series of elongated, asphalt-darkened works hung as a low horizon line. The narrow, compressed format frames instances of movement within solid, contoured boundaries. Composed of two or three parts, the oil painted works are articulated with metal umbrella ribs that extend across their surfaces in diagrammatic formations. Intricate, curving, and V-shaped lines trace directional motion over sedimentary texture, resonating with archival photographs I’ve been drawn to—those of subatomic particle paths and the mechanical infrastructures of refining plants.
An additional elongated work comprises paintings derived from fabric patterns. The motif, drawn from my previous work, is isolated, stretched, cut and reassembled into sequential arrangements. Through several composite layers of paint, cracks emerge upon the surface. These fractures introduce a less controlled formal register, emphasizing responsive handling an…
