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Daniel Faria Gallery is pleased to present Traces, a group exhibition featuring works by Nadia Belerique, Shannon Bool, Andrew Dadson, Derek Liddington, Oluseye, and Jennifer Rose Sciarrino. The works in Traces are occupied with what has been left behind: detritus, fingerprints, markings, forgotten histories, shadows, echoes. To trace can be to outline, to copy, to follow—backwards or forwards (trace my steps; retrace my steps). It is looking for the source, searching. It can be just enough of something to leave evidence, to leave a mark. A clue, a path.
Dadson’s Cuneiform (2012-ongoing) is a series of photographs depicting spots where signs such as those declaring NO PARKING, NO SKATEBOARDING, and NO LOITERING have been removed, the leftover glue creating accidental marks that are often “surprisingly calligraphic and painterly.” 1 Shown together, they create their own typology, their title referencing one of the oldest writing systems. Similarly capturing the residue of an action,…
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Press Release
Daniel Faria Gallery is pleased to present Traces, a group exhibition featuring works by Nadia Belerique, Shannon Bool, Andrew Dadson, Derek Liddington, Oluseye, and Jennifer Rose Sciarrino. The works in Traces are occupied with what has been left behind: detritus, fingerprints, markings, forgotten histories, shadows, echoes. To trace can be to outline, to copy, to follow—backwards or forwards (trace my steps; retrace my steps). It is looking for the source, searching. It can be just enough of something to leave evidence, to leave a mark. A clue, a path.
Dadson’s Cuneiform (2012-ongoing) is a series of photographs depicting spots where signs such as those declaring NO PARKING, NO SKATEBOARDING, and NO LOITERING have been removed, the leftover glue creating accidental marks that are often “surprisingly calligraphic and painterly.” 1 Shown together, they create their own typology, their title referencing one of the oldest writing systems. Similarly capturing the residue of an action,…
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