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Defying Gravity
The first time I visited Capc in Bordeaux, where I currently work, was during the Christmas holidays in 2013. I was staying a few days with the parents of my roommate in Vincennes, Elsa. At that moment, I was just days away from starting an internship at the Centre for Art and Landscape on the Vassivière Island, assisting with dismantling an exhibition by Fernanda Gomes and installing one by Sheela Gowda («Open Eye Policy»). A few weeks later, I would begin another internship at the galerie Crèvecœur, at 4 Rue Jouye-Rouve, which was showing, at the time, Renaud Jerez («Adideath»). I had managed to negotiate skipping some of the bachelor degree classes to be able to work.
During that first visit to the Capc, one of the exhibitions on display was a solo by the American artist Michael E. Smith, invited by Alexis Vaillant. It was held in the side galleries on the ground floor. By then, I was not familiar with the artist’s practice and I wouldn’t immediately register his…
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Defying Gravity
The first time I visited Capc in Bordeaux, where I currently work, was during the Christmas holidays in 2013. I was staying a few days with the parents of my roommate in Vincennes, Elsa. At that moment, I was just days away from starting an internship at the Centre for Art and Landscape on the Vassivière Island, assisting with dismantling an exhibition by Fernanda Gomes and installing one by Sheela Gowda («Open Eye Policy»). A few weeks later, I would begin another internship at the galerie Crèvecœur, at 4 Rue Jouye-Rouve, which was showing, at the time, Renaud Jerez («Adideath»). I had managed to negotiate skipping some of the bachelor degree classes to be able to work.
During that first visit to the Capc, one of the exhibitions on display was a solo by the American artist Michael E. Smith, invited by Alexis Vaillant. It was held in the side galleries on the ground floor. By then, I was not familiar with the artist’s practice and I wouldn’t immediately register his…
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More Exhibitions at Crèvecœur
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