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The exhibition Binnen is het gisteren, buiten is het nooit (‘Inside is yesterday, outside is never’) by Rein Dufait (1990, Ostend) brings together a selection of sculptures from 2017-2018 with some recent sculptures and assemblage works. The sculptures are presented on different tables and pedestals throughout both spaces. Sometimes the tables are part of the work, sometimes they are purely functional. Occasionally they suggest the process of creation and work, as with maro (2018) (the wooden crate encloses the sand in which the cement sleeve is made) and worsteling I (‘struggle I’) (2017) (the worktable was not painted over so that the movements of the “cement rolling” are still visible). In some cases, the sculpture was anchored into the table (worsteling I, 2017 and colosseum I, 2018) so that they literally form a whole.
Inside-outside, hollow-full, rough-smooth, hard-soft, negative-positive… As the title of the exhibition also implies, Rein Dufait’s works regularly carry…
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The exhibition Binnen is het gisteren, buiten is het nooit (‘Inside is yesterday, outside is never’) by Rein Dufait (1990, Ostend) brings together a selection of sculptures from 2017-2018 with some recent sculptures and assemblage works. The sculptures are presented on different tables and pedestals throughout both spaces. Sometimes the tables are part of the work, sometimes they are purely functional. Occasionally they suggest the process of creation and work, as with maro (2018) (the wooden crate encloses the sand in which the cement sleeve is made) and worsteling I (‘struggle I’) (2017) (the worktable was not painted over so that the movements of the “cement rolling” are still visible). In some cases, the sculpture was anchored into the table (worsteling I, 2017 and colosseum I, 2018) so that they literally form a whole.
Inside-outside, hollow-full, rough-smooth, hard-soft, negative-positive… As the title of the exhibition also implies, Rein Dufait’s works regularly carry…
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