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Bureau is pleased to announce our third solo exhibition with Patricia Treib, Sinuations. The exhibition will cover both floors of the gallery and will feature a suite of large oil paintings along with framed paintings on paper. Accompanying the exhibition is a new text about Treib’s work by art historian Erin Kimmel, below.
The shapes in Patricia Treib’s paintings are wet and buoyant. Pools of pigment, they bend and bulge, unfurling themselves in one plump lobe and then another (and sometimes another). Just as soon, they pinch and squeeze, tapering into creases with razor sharp edges. Sometimes they are suspended alone, or in doubles, that dominate the always alive picture plane. Often, they nestle into one another or curl into active grounds. Succulent lines slide around these shapes in quick, buttery succession and often end after a flourish or flit. In Sinuations, these elements hang together in strange orchestrations that recall a vocabulary of ornament: arabesques, curlicues,…
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Press Release
Bureau is pleased to announce our third solo exhibition with Patricia Treib, Sinuations. The exhibition will cover both floors of the gallery and will feature a suite of large oil paintings along with framed paintings on paper. Accompanying the exhibition is a new text about Treib’s work by art historian Erin Kimmel, below.
The shapes in Patricia Treib’s paintings are wet and buoyant. Pools of pigment, they bend and bulge, unfurling themselves in one plump lobe and then another (and sometimes another). Just as soon, they pinch and squeeze, tapering into creases with razor sharp edges. Sometimes they are suspended alone, or in doubles, that dominate the always alive picture plane. Often, they nestle into one another or curl into active grounds. Succulent lines slide around these shapes in quick, buttery succession and often end after a flourish or flit. In Sinuations, these elements hang together in strange orchestrations that recall a vocabulary of ornament: arabesques, curlicues,…
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