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1. Swiss scholar Heinrich Wölfflin popularized the use of dual slide projectors in art historical lectures. The intensity of the black-and-white images was piercing in the dark of the auditorium; his students likened the experience to approaching the sun. Casting pictures side-by-side, the projectors primed viewers to see through a dialectic of similarity and difference. The compare and contrast framework of art criticism has been attributed to this origin.
2. Consider the two-person show, distinct practices paired to extend each other and call attention to details otherwise set aside. At first glance, Lucas Blalock’s and Julia Rommel’s works are nothing alike. Then we look more closely at the painterly trails in a cartoonish wedge of cheddar that call across the gallery to turbulent fields of yellow. We think again.
3. Is the artwork ever perceived singly, for itself, out of context? Painter R. H. Quaytman emphasizes that her compositions participate in series—exhibitions as chapters,…
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Press Release
1. Swiss scholar Heinrich Wölfflin popularized the use of dual slide projectors in art historical lectures. The intensity of the black-and-white images was piercing in the dark of the auditorium; his students likened the experience to approaching the sun. Casting pictures side-by-side, the projectors primed viewers to see through a dialectic of similarity and difference. The compare and contrast framework of art criticism has been attributed to this origin.
2. Consider the two-person show, distinct practices paired to extend each other and call attention to details otherwise set aside. At first glance, Lucas Blalock’s and Julia Rommel’s works are nothing alike. Then we look more closely at the painterly trails in a cartoonish wedge of cheddar that call across the gallery to turbulent fields of yellow. We think again.
3. Is the artwork ever perceived singly, for itself, out of context? Painter R. H. Quaytman emphasizes that her compositions participate in series—exhibitions as chapters,…
Exhibition Space
More Exhibitions at Bureau
Similar Exhibitions
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