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Baró Paris presents Lygia Clark: Anatomie d’une ligne, the second exhibition dedicated to the Brazilian artist by Baró Galeria and the inaugural exhibition of its new permanent space in Paris. Curated by Rolando J. Carmona, the exhibition focuses on key moments in Lygia Clark’s practice, examining the relationship between geometric abstraction, the body, and psychoanalysis. The presentation brings together studies, photographs, cardboard maquettes produced in the 1950s, and Bicho Desfolhado (579), highlighting a decisive phase in the artist’s transition from geometric structures to participatory propositions.
A significant part of the works and propositions presented in the exhibition were conceived during Lygia Clark’s time in Paris. Between 1950 and 1952, she studied in the city with Isaac Dobrinsky, Fernand Léger, and Arpad Szenes, and later returned to Paris in self exile during the Brazilian military dictatorship. From 1968 to 1976, Clark developed an intensive body of work that…
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Press Release
Baró Paris presents Lygia Clark: Anatomie d’une ligne, the second exhibition dedicated to the Brazilian artist by Baró Galeria and the inaugural exhibition of its new permanent space in Paris. Curated by Rolando J. Carmona, the exhibition focuses on key moments in Lygia Clark’s practice, examining the relationship between geometric abstraction, the body, and psychoanalysis. The presentation brings together studies, photographs, cardboard maquettes produced in the 1950s, and Bicho Desfolhado (579), highlighting a decisive phase in the artist’s transition from geometric structures to participatory propositions.
A significant part of the works and propositions presented in the exhibition were conceived during Lygia Clark’s time in Paris. Between 1950 and 1952, she studied in the city with Isaac Dobrinsky, Fernand Léger, and Arpad Szenes, and later returned to Paris in self exile during the Brazilian military dictatorship. From 1968 to 1976, Clark developed an intensive body of work that…
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