Movement in Viridi (2026)

Movement in Viridi by Cameron White
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Artist
b. 2001, United States
Specifications info
Dimensions
68.58 ✕ 30.48✕ 30.48cm (27 ✕ 12✕ 12inches)
124.46 ✕ 45.72✕ 30.48cm (49 ✕ 18✕ 12inches)
Signature
This artwork has been signed by the artist.
Description

In "Movement in Viridi," the body on the podium is an interrogation of the evolution of visibility. While the podium represents historical structures of control, the body explores my theory of Panoptic Nouveau, a modern iteration of Panopticon surveillance that extracts and polices Black-Queer identity. It is a bridge between old, rigid technologies of past visibility and the modern decentralized realities of seductive surveillance. By centering a Black-Queer body in this technical space, I am reclaiming the right to be seen on my own terms, turning a historical site of extraction, the black and queer body, into a site of celebration. By portraying the sensations of the skin under restrictive material, the focus shifts from a systemic extraction to a celebration of Black Queer intimacy and labor. The industrial setting of the Goat Farm provides a site-specific connection to weaponized infrastructure and mirrors the performance's retrained movements, highlighting the tension between…

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verified Complete entry
Created by Pariscameron on Jul 05, 2026 at 04:49
Edited by Pariscameron on Jul 05, 2026 at 05:35
Edits: 6
Views:
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Movement in Viridi by Cameron White
Image gallery (8)

Movement in Viridi (2026)

Artist
b. 2001, United States
Specifications info
Dimensions
68.58 ✕ 30.48✕ 30.48cm (27 ✕ 12✕ 12inches)
124.46 ✕ 45.72✕ 30.48cm (49 ✕ 18✕ 12inches)
Signature
This artwork has been signed by the artist.
Description

In "Movement in Viridi," the body on the podium is an interrogation of the evolution of visibility. While the podium represents historical structures of control, the body explores my theory of Panoptic Nouveau, a modern iteration of Panopticon surveillance that extracts and polices Black-Queer identity. It is a bridge between old, rigid technologies of past visibility and the modern decentralized realities of seductive surveillance. By centering a Black-Queer body in this technical space, I am reclaiming the right to be seen on my own terms, turning a historical site of extraction, the black and queer body, into a site of celebration. By portraying the sensations of the skin under restrictive material, the focus shifts from a systemic extraction to a celebration of Black Queer intimacy and labor. The industrial setting of the Goat Farm provides a site-specific connection to weaponized infrastructure and mirrors the performance's retrained movements, highlighting the tension between…

More expand_more
More Artworks by Cameron White
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by Pariscameron on Jul 05, 2026 at 04:49
Edited by Pariscameron on Jul 05, 2026 at 05:35
Edits: 6
Views:
Claims
Do you want to edit this page? , and you'll unlock editing privileges.
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