Biography
Data & Geographies
​1974, Bochum (DE). Living and working in Bochum, Antwerp (BE), and Puerto de la Cruz, Tenerife (ES). Key artistic cycles influenced by residencies and practice in London, Berlin, and Manhattan.
__________
​The Orchestrator’s Method
​I operate as an orchestrator. My practice is not bound to a single craft but to the precise translation of complex visions into material reality. Like a conductor, I channel themes and convictions—be it 3D-printing, textile traditions, or industrial finishing—while maintaining absolute sovereignty over the human, often vulnerable dimension of the work, revealing harm and wounds while preserving their dignity.
__________
​Materiality & The "Body as Archive"
​My work begins where life-altering circumstances meet architectural determinism, art history, and the necessity of being noticed. I treat the body as a material archive of experiences, sublimating personal trauma and restrictions through a regime of extreme precision, beauty, and…
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Guestbook
Biography
Data & Geographies
​1974, Bochum (DE). Living and working in Bochum, Antwerp (BE), and Puerto de la Cruz, Tenerife (ES). Key artistic cycles influenced by residencies and practice in London, Berlin, and Manhattan.
__________
​The Orchestrator’s Method
​I operate as an orchestrator. My practice is not bound to a single craft but to the precise translation of complex visions into material reality. Like a conductor, I channel themes and convictions—be it 3D-printing, textile traditions, or industrial finishing—while maintaining absolute sovereignty over the human, often vulnerable dimension of the work, revealing harm and wounds while preserving their dignity.
__________
​Materiality & The "Body as Archive"
​My work begins where life-altering circumstances meet architectural determinism, art history, and the necessity of being noticed. I treat the body as a material archive of experiences, sublimating personal trauma and restrictions through a regime of extreme precision, beauty, and…
Guestbook
Metadata
Claims
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