Biography
Data & Geographies
1974, Bochum (DE). Living and working in Bochum, Antwerp (BE), and Puerto de la Cruz, Tenerife (ES). Key artistic cycles influenced by residencies and practice in London, Berlin, and Manhattan.
__________
The Orchestrator’s Method
I operate as an orchestrator. My practice is not bound to a single craft but to the precise translation of complex visions into material reality. Like a conductor, I channel themes and convictions—be it 3D-printing, textile traditions, or industrial finishing—while maintaining absolute sovereignty over the human, often vulnerable dimension of the work, revealing harm and wounds while preserving their dignity.
__________
Materiality & The "Body as Archive"
My work begins where life-altering circumstances meet architectural determinism, art history, and the necessity of being noticed. I treat the body as a material archive of experiences, sublimating personal trauma and restrictions through a regime of extreme precision, beauty, and…
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Claims
Guestbook
Biography
Data & Geographies
1974, Bochum (DE). Living and working in Bochum, Antwerp (BE), and Puerto de la Cruz, Tenerife (ES). Key artistic cycles influenced by residencies and practice in London, Berlin, and Manhattan.
__________
The Orchestrator’s Method
I operate as an orchestrator. My practice is not bound to a single craft but to the precise translation of complex visions into material reality. Like a conductor, I channel themes and convictions—be it 3D-printing, textile traditions, or industrial finishing—while maintaining absolute sovereignty over the human, often vulnerable dimension of the work, revealing harm and wounds while preserving their dignity.
__________
Materiality & The "Body as Archive"
My work begins where life-altering circumstances meet architectural determinism, art history, and the necessity of being noticed. I treat the body as a material archive of experiences, sublimating personal trauma and restrictions through a regime of extreme precision, beauty, and…
Guestbook
Metadata
Claims
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