French painter based in Lausanne/Switzerland, I began my studies in art history and in visual arts at the University of Strasbourg. I later continued my training in visual arts at ECAL, the University of Art and Design in Lausanne (2013).

My approach to painting is deeply rooted in a transhistorical exploration, where the past enters into dialogue with the present, and where historical images are reactivated through a contemporary lens.

Fascinated by the way historical iconography shapes our representations of bodies and identities, my work draws on references that span centuries: medieval illuminations, Romanticism, nineteenth-century Gothic, as well as contemporary queer visual culture.

These influences intersect in a painting that plays with tensions between visibility and erasure, flesh and specter.

My painting explores shadow zones where bodies, narratives and eras overlap. I invoke a reinvented Gothic, not as a nostalgic or decorative aesthetic, but as a living language capable of…