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Hubert Marot presents at ZÉRUÌ gallery in London a series of photographs, two installations and a printed book, all relating to a state that I would describe as circumspect. His practice is illusionistic: photographs are paintings, installations sculptures; but is also prudent, wise, meticulous. It comes from observation, from the careful gaze he takes around him. His work is also marked by a form of mysterious triviality and a penchant for antiquity, the imperishable, a race that he knows is lost in advance.
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Press Release
Hubert Marot presents at ZÉRUÌ gallery in London a series of photographs, two installations and a printed book, all relating to a state that I would describe as circumspect. His practice is illusionistic: photographs are paintings, installations sculptures; but is also prudent, wise, meticulous. It comes from observation, from the careful gaze he takes around him. His work is also marked by a form of mysterious triviality and a penchant for antiquity, the imperishable, a race that he knows is lost in advance.
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