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The Green Galley is pleased to present Tokyo-based artist COBRA’s second exhibition in Milwaukee, ちょっとだけ~ Sculpture As Place, as well as a curated exhibition of new work by two of his peers, Hikari Ono and Yui Yaegashi, of whom he has a long-standing relationship through the XYZ Collective, the artist-run gallery he founded and runs. In the front room COBRA brings together three distinct bodies of work linked by way of satire in various guises. Through appropriation and irony the artist shares careful observation, craft, and self-reflexivity. Blocky birdhouses riff on American minimalism. Bird cages serve as framing mechanisms for tender, egg-themed paintings and recursive narrative devices for us as viewers to ponder our own art-viewing conditions and existence. In a photo series the artist himself supports a multiplicity of gallerists as they install the exhibition before you.
In Minimalist sculpture, presence is revealed through a reduc…
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Press Release
The Green Galley is pleased to present Tokyo-based artist COBRA’s second exhibition in Milwaukee, ちょっとだけ~ Sculpture As Place, as well as a curated exhibition of new work by two of his peers, Hikari Ono and Yui Yaegashi, of whom he has a long-standing relationship through the XYZ Collective, the artist-run gallery he founded and runs. In the front room COBRA brings together three distinct bodies of work linked by way of satire in various guises. Through appropriation and irony the artist shares careful observation, craft, and self-reflexivity. Blocky birdhouses riff on American minimalism. Bird cages serve as framing mechanisms for tender, egg-themed paintings and recursive narrative devices for us as viewers to ponder our own art-viewing conditions and existence. In a photo series the artist himself supports a multiplicity of gallerists as they install the exhibition before you.
In Minimalist sculpture, presence is revealed through a reduc…
