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The research paths veer between multiple characters, some of whom directly exist within the exhibition, while others are absent, replaced by their words. Each of these characters subsists within their own penumbra, exposing a belief system that is otherwise unobvious. First, there is King Camp Gillette, the ultimate Man Corporate and failed utopian socialist. Then there is Kafka, who writes a short, cryptic parable that concedes tradition is not fixed, but rather becomes fortified through changing patterns. Finally, there are images reproduced from a French medical journal, positioning satire as a mechanism for social reform. The works graze one another, as each of the proposed subjects becomes muddled by the next. Elements of one appear in another – a ghosting mimicked through the varying ways we learn, repeat, differentiate, and change in response to the affecting qualities of our surrounding environment.
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Press Release
The research paths veer between multiple characters, some of whom directly exist within the exhibition, while others are absent, replaced by their words. Each of these characters subsists within their own penumbra, exposing a belief system that is otherwise unobvious. First, there is King Camp Gillette, the ultimate Man Corporate and failed utopian socialist. Then there is Kafka, who writes a short, cryptic parable that concedes tradition is not fixed, but rather becomes fortified through changing patterns. Finally, there are images reproduced from a French medical journal, positioning satire as a mechanism for social reform. The works graze one another, as each of the proposed subjects becomes muddled by the next. Elements of one appear in another – a ghosting mimicked through the varying ways we learn, repeat, differentiate, and change in response to the affecting qualities of our surrounding environment.
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More Exhibitions at Susan Hobbs
Similar Exhibitions
Guestbook
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