SOLO EXHIBITION

En el umbral de la sombra

1 attending
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
En el umbral de la sombra
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Press Release

Juan Sebastián Franco (Bogotá, 1995) presents a visual essay on appearance and enigma. In his work, painting is not an act of representation, but of invocation. The image is not constructed—it is revealed: like a secret emerging from the depths, like a trick performed before our eyes whose mechanism remains concealed. Franco does not paint what he sees; he paints what he senses. That is why his painting does not declare—it suggests, summons, unsettles.


His practice sits at the crossroads of the unconscious, theatricality, and magic. Painting becomes a stage where the desire to hide and to reveal unfolds simultaneously. The theater, the night, the forest—these are not subjects, but symbolic devices that allow him to think of the image as a space of transformation. The painterly gesture becomes a ritual, where the canvas turns into a surface of apparition.


Franco consciously embraces the ambivalent power of the image: its ability to fascinate and disturb, to attract and repel. As in…

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Exhibition Space
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Cra. 23 #77-41, Bogotá, Colombia
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verified Complete entry
Created by pleasure_first on Jul 18, 2025 at 13:40
Edited by chartinamart on Jul 18, 2025 at 13:41
Edits: 1
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En el umbral de la sombra
Image gallery (15)
Courtesy: Sketch Gallery
SOLO EXHIBITION

En el umbral de la sombra

1 attending
Sign up free to get notified about exhibitions
Press Release

Juan Sebastián Franco (Bogotá, 1995) presents a visual essay on appearance and enigma. In his work, painting is not an act of representation, but of invocation. The image is not constructed—it is revealed: like a secret emerging from the depths, like a trick performed before our eyes whose mechanism remains concealed. Franco does not paint what he sees; he paints what he senses. That is why his painting does not declare—it suggests, summons, unsettles.


His practice sits at the crossroads of the unconscious, theatricality, and magic. Painting becomes a stage where the desire to hide and to reveal unfolds simultaneously. The theater, the night, the forest—these are not subjects, but symbolic devices that allow him to think of the image as a space of transformation. The painterly gesture becomes a ritual, where the canvas turns into a surface of apparition.


Franco consciously embraces the ambivalent power of the image: its ability to fascinate and disturb, to attract and repel. As in…

More expand_more
Exhibition Space
View exhibitionspace
Cra. 23 #77-41, Bogotá, Colombia
View all exhibitions in... Bogotá, CO
Represent SKETCH Gallery? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by pleasure_first on Jul 18, 2025 at 13:40
Edited by chartinamart on Jul 18, 2025 at 13:41
Edits: 1
Views:
Attending 1
People are watching this exhibition.
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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