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“To care is not about letting an object go but holding on to an object by letting oneself go, giving oneself over to something that is not one’s own.”
― Sara Ahmed, The Promise of Happiness. Duke University Press, 2010, p. 186
Tender Revelation is exposure as echo, humility, and devotion circling each other in the aftermath. Sensitivity recoils, then returns; generosity stains what is left behind, residue that cannot be retrieved. The gap between experience and memento is forensic, raw, and unflinching. The body is not a passive medium. [1]
Diamond’s inquiry is lived, not abstract; it unfolds through the shifting terrain of hotel rooms and her London home. Six works surface from these landscapes, each a remnant, a trace. Across media, Diamond collects the residue of encounters while testing the limits of labor and its aftermath.
Diamond’s profession is a direct demonstration of the relational effects of intimacy and its radical potential, s…
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Press Release
“To care is not about letting an object go but holding on to an object by letting oneself go, giving oneself over to something that is not one’s own.”
― Sara Ahmed, The Promise of Happiness. Duke University Press, 2010, p. 186
Tender Revelation is exposure as echo, humility, and devotion circling each other in the aftermath. Sensitivity recoils, then returns; generosity stains what is left behind, residue that cannot be retrieved. The gap between experience and memento is forensic, raw, and unflinching. The body is not a passive medium. [1]
Diamond’s inquiry is lived, not abstract; it unfolds through the shifting terrain of hotel rooms and her London home. Six works surface from these landscapes, each a remnant, a trace. Across media, Diamond collects the residue of encounters while testing the limits of labor and its aftermath.
Diamond’s profession is a direct demonstration of the relational effects of intimacy and its radical potential, s…
