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The first solo exhibition in France by Anjesa Dellova (b. Kosovo, 1994) is entitled Passages. A sober word, it evokes as much the traversing of a place as it does a state of metamorphosis. In Sans titre gallery, the artist presents eighteen monochrome paintings in variations of vibrant orange, arranged on the ground, one following another, echoing the elongated architecture of the site. This arrangement extends the idea of a corridor or path that the visitor is invited to take, almost in procession, between figures that seem to float in suspense in the space.
For several years, Anjesa Dellova has been developing a technique that she calls frottage: a dry application of oil paint on canvas primed in advance with a textured white. Through an infinitely repeated gesture, thin layers of material accumulate and gradually reveal silhouettes. Outlines are drawn in successive contrasts and erasures, just as memory is often born from what is erased. This frottage is not only a technical…
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Press Release
The first solo exhibition in France by Anjesa Dellova (b. Kosovo, 1994) is entitled Passages. A sober word, it evokes as much the traversing of a place as it does a state of metamorphosis. In Sans titre gallery, the artist presents eighteen monochrome paintings in variations of vibrant orange, arranged on the ground, one following another, echoing the elongated architecture of the site. This arrangement extends the idea of a corridor or path that the visitor is invited to take, almost in procession, between figures that seem to float in suspense in the space.
For several years, Anjesa Dellova has been developing a technique that she calls frottage: a dry application of oil paint on canvas primed in advance with a textured white. Through an infinitely repeated gesture, thin layers of material accumulate and gradually reveal silhouettes. Outlines are drawn in successive contrasts and erasures, just as memory is often born from what is erased. This frottage is not only a technical…
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