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Twelve sun loungers are split in two in „50:50“. LENA MARIE EMRICH’s sculptural intervention traces rupture and repetition, leisure and loss. The form holds, as idleness mutates and function slips. The body, quietly omitted.
In collaboration with Eivissa-based filmmaker, producer, and SAFA founder IVA FISCHER CVJETKOVIĆ, Emrich traced the afterlife of deserted tourist furniture. Navigating through economic decline amid the discarded infrastructure of seasonal leisure. Inside the former water tank of SAFA, Emrich presents 50:50, a new sculptural work composed of twelve discarded sun loungers. Each lounger has been cut precisely in half and arranged with unhurried precision. – What remains when leisure ends?
LA ZAMBUDILLA unfolds in quiet tension — part shade, part threat. Since 2022, Eivissa has banned colorful parasols from its beaches — a conservation measure to protect native bird species disturbed by vivid designs. The unintended result: thousands of discarded umbrellas now…
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Twelve sun loungers are split in two in „50:50“. LENA MARIE EMRICH’s sculptural intervention traces rupture and repetition, leisure and loss. The form holds, as idleness mutates and function slips. The body, quietly omitted.
In collaboration with Eivissa-based filmmaker, producer, and SAFA founder IVA FISCHER CVJETKOVIĆ, Emrich traced the afterlife of deserted tourist furniture. Navigating through economic decline amid the discarded infrastructure of seasonal leisure. Inside the former water tank of SAFA, Emrich presents 50:50, a new sculptural work composed of twelve discarded sun loungers. Each lounger has been cut precisely in half and arranged with unhurried precision. – What remains when leisure ends?
LA ZAMBUDILLA unfolds in quiet tension — part shade, part threat. Since 2022, Eivissa has banned colorful parasols from its beaches — a conservation measure to protect native bird species disturbed by vivid designs. The unintended result: thousands of discarded umbrellas now…
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