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In colorful canvases, Cecilie Norgaard’s conceptual oil paintings humorously tease out the hierarchical highs and lows produced by contemporary society.
If oil painting was once a cultural cornerstone in glorifying the upper class, in Norgaard’s new painting series, produced for O—Overgaden, she insists on flipping this narrative, instead focusing on mundane, everyday objects. Colored pencils, numbers, and letters; piggy banks, cars, clocks and trucks crash, repeat, or multiply in the paintings, collectively creating a tongue-in-cheek, absurdist universe mixing school tools with money and protestant (time) pressure.
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Press Release
In colorful canvases, Cecilie Norgaard’s conceptual oil paintings humorously tease out the hierarchical highs and lows produced by contemporary society.
If oil painting was once a cultural cornerstone in glorifying the upper class, in Norgaard’s new painting series, produced for O—Overgaden, she insists on flipping this narrative, instead focusing on mundane, everyday objects. Colored pencils, numbers, and letters; piggy banks, cars, clocks and trucks crash, repeat, or multiply in the paintings, collectively creating a tongue-in-cheek, absurdist universe mixing school tools with money and protestant (time) pressure.
…
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More Exhibitions at O—Overgaden
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