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The skin of reality: The house of flesh and the second skin of truth
In the heart of Bilbao, the Okela Kultur Elkartea space stands as an apex where the perception of existence becomes labyrinthine. “FRONTS” is a swarm of geometric canvases that metamorphose architecture into a skin that beats, breathes, and pulsates with a vitality that transcends its own mortality. In this context, architecture transforms into a gigantic wall that constantly collapses and reconfigures itself, as if the very skin of reality was trying to escape its finite condition.
The exhibition evokes the classic tale “The Fall of the House of Usher” by Edgar Allan Poe. Here, the twisted and distorted tarpaulin reveals the fissures and cracks between appearance and reality, between the visible and the invisible, where a wall partition slowly crumbles, devoured by an invisible force, in which boundaries are permeable and getting more and more blurred.
In this labyrinth of memory, the visitor is taken on a…
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Press Release
The skin of reality: The house of flesh and the second skin of truth
In the heart of Bilbao, the Okela Kultur Elkartea space stands as an apex where the perception of existence becomes labyrinthine. “FRONTS” is a swarm of geometric canvases that metamorphose architecture into a skin that beats, breathes, and pulsates with a vitality that transcends its own mortality. In this context, architecture transforms into a gigantic wall that constantly collapses and reconfigures itself, as if the very skin of reality was trying to escape its finite condition.
The exhibition evokes the classic tale “The Fall of the House of Usher” by Edgar Allan Poe. Here, the twisted and distorted tarpaulin reveals the fissures and cracks between appearance and reality, between the visible and the invisible, where a wall partition slowly crumbles, devoured by an invisible force, in which boundaries are permeable and getting more and more blurred.
In this labyrinth of memory, the visitor is taken on a…
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