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Huden i sig selv er en dårlig uniform. Smuk og porøs. Kuldskær. Vi viklede et ekstra lag om bør- nene, deres kroppe er de stærkeste og de letteste at såre. Vi gav dem et ekstra lag hud. Planternes pels. Der fandtes besværgelser, vi sagde under arbejdet ved væven, gamle sætninger, som sivede ind i trenden og lagde sig som et hviskende islæt i stoffet.
The skin in itself is a poor uniform. Beautiful and porous. Prone to the cold. We wrapped an extra layer around the children, their bodies are the strongest and the easiest to wound. We gave them another layer of skin. The fur of plants. There were incantations we spoke as we worked at the loom, old phrases that seeped into the warp and settled like a whispering weft in the fabric.
–Text by Ditte Holm Bro for the exhibition Swing Pattern Gone
Using the concept of worlding as an integrated understanding of her own practice, Bülow works with sculpture and installation to explore the conceptual and material linkages of living and constructed…
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Huden i sig selv er en dårlig uniform. Smuk og porøs. Kuldskær. Vi viklede et ekstra lag om bør- nene, deres kroppe er de stærkeste og de letteste at såre. Vi gav dem et ekstra lag hud. Planternes pels. Der fandtes besværgelser, vi sagde under arbejdet ved væven, gamle sætninger, som sivede ind i trenden og lagde sig som et hviskende islæt i stoffet.
The skin in itself is a poor uniform. Beautiful and porous. Prone to the cold. We wrapped an extra layer around the children, their bodies are the strongest and the easiest to wound. We gave them another layer of skin. The fur of plants. There were incantations we spoke as we worked at the loom, old phrases that seeped into the warp and settled like a whispering weft in the fabric.
–Text by Ditte Holm Bro for the exhibition Swing Pattern Gone
Using the concept of worlding as an integrated understanding of her own practice, Bülow works with sculpture and installation to explore the conceptual and material linkages of living and constructed…
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More Exhibitions at Matteo Cantarella
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