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Deep Inside in the Safest Place
Longtermhandstand is proud to present the duo exhibition of Brooklyn-based artist Erin M. Riley and Hungarian painter Mónika Kárándi. This showcase highlights the striking contrast between two distinct artistic approaches, not only in their chosen mediums—Riley’s handwoven tapestries and Kárándi’s contemporary painted landscapes—but also in their exploration of the individual versus the collective. Erin M. Riley’s meticulously crafted, large-scale woven works unravel the intimate, erotic, and psychologically raw terrain of personal history, relationships, trauma, and resilience. Using a collage-like process, she weaves together moments from personal archives, internet imagery, and media clippings to construct deeply personal yet universally resonant narratives. Her work lays bare the complexities of the female experience, exposing how trauma etches itself into the psyche and body. Each tapestry acts as a vessel of memory, inviting viewers into a space…
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Press Release
Deep Inside in the Safest Place
Longtermhandstand is proud to present the duo exhibition of Brooklyn-based artist Erin M. Riley and Hungarian painter Mónika Kárándi. This showcase highlights the striking contrast between two distinct artistic approaches, not only in their chosen mediums—Riley’s handwoven tapestries and Kárándi’s contemporary painted landscapes—but also in their exploration of the individual versus the collective. Erin M. Riley’s meticulously crafted, large-scale woven works unravel the intimate, erotic, and psychologically raw terrain of personal history, relationships, trauma, and resilience. Using a collage-like process, she weaves together moments from personal archives, internet imagery, and media clippings to construct deeply personal yet universally resonant narratives. Her work lays bare the complexities of the female experience, exposing how trauma etches itself into the psyche and body. Each tapestry acts as a vessel of memory, inviting viewers into a space…
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More Exhibitions at Longtermhandstand
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