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The God of the economy distributes himself out, exerts himself, makes himself known. Once he has become visible, he declares himself with a face—prosōpon, the term by which the Persons of the Holy Trinity are designated. This is the hypostatic economy of divinity. In connection with the always sought and always impossible meeting between God and humans that characterizes the Old Testament, this is the opening of the historical field: a face-to-face meeting, an exchange of looks henceforth possible, and qualified as enigmatic.
(Image, Icon, Economy: The Byzantine Origins of the Contemporary Imaginary. Marie-José Mondzain, translated by Rico Franses)
Milton’s Paradise Lost is an epic poem of the biblical Genesis culminating in the Fall of Man. Near its conclusion, a primal act of covering occurs as God takes pity on the humans who now recognize their nudity and sends his son who “clad Their nakedness with skins of beasts.” This invention of clothing gestures to a massive philosophical…
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Press Release
The God of the economy distributes himself out, exerts himself, makes himself known. Once he has become visible, he declares himself with a face—prosōpon, the term by which the Persons of the Holy Trinity are designated. This is the hypostatic economy of divinity. In connection with the always sought and always impossible meeting between God and humans that characterizes the Old Testament, this is the opening of the historical field: a face-to-face meeting, an exchange of looks henceforth possible, and qualified as enigmatic.
(Image, Icon, Economy: The Byzantine Origins of the Contemporary Imaginary. Marie-José Mondzain, translated by Rico Franses)
Milton’s Paradise Lost is an epic poem of the biblical Genesis culminating in the Fall of Man. Near its conclusion, a primal act of covering occurs as God takes pity on the humans who now recognize their nudity and sends his son who “clad Their nakedness with skins of beasts.” This invention of clothing gestures to a massive philosophical…
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More Exhibitions at Layr
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