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More than a century after the publication of the groundbreaking manifestos of the artistic avant-gardes, and their absorption by capital, Simon Dybbroe Møller seems to propose an entirely new movement.
So what is Nouvelle Intériorité? A new impetus, something that can help us emerge from a certain lethargy. Is it a “new” art? A manifesto?
Simon Dybbroe Møller's work is often said to reveal the all-encompassing role images play in our online and networked lives - how we perceive reality through photographic images before experiencing it physically. Not limited to photography his practice shifts between sculpture (often ready-made), image, video, sound, and writing, emphasizing exactly these transitions between different representational realities - from 2D to 3D, from the screen to haptic materiality.
His work always deals with the individual in its environment, its relationship to things. It deals with the logic of late capitalism; its persuasion and its pressures masked as benevolent…
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Press Release
More than a century after the publication of the groundbreaking manifestos of the artistic avant-gardes, and their absorption by capital, Simon Dybbroe Møller seems to propose an entirely new movement.
So what is Nouvelle Intériorité? A new impetus, something that can help us emerge from a certain lethargy. Is it a “new” art? A manifesto?
Simon Dybbroe Møller's work is often said to reveal the all-encompassing role images play in our online and networked lives - how we perceive reality through photographic images before experiencing it physically. Not limited to photography his practice shifts between sculpture (often ready-made), image, video, sound, and writing, emphasizing exactly these transitions between different representational realities - from 2D to 3D, from the screen to haptic materiality.
His work always deals with the individual in its environment, its relationship to things. It deals with the logic of late capitalism; its persuasion and its pressures masked as benevolent…
































