SOLO EXHIBITIONON VIEW

La Mancha más ciega

La CapellaJul 14, 2026 — Sep 27, 2026
Jul 14, 2026 — Sep 27, 2026
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
La Mancha más ciega
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Press Release

In her recent projects, Ana Martínez Fernández (Cantabria, 1982) has conducted research into the expansive quality of sculpture. Her pieces cover pavement and obstruct passage; in other cases, they are built clinging to the wall, enveloping it, or arranged as if they were curtains, dividing the space into sections. As sculptures, they act as architectural supplements with which the artist tests out new layouts of the exhibition space, aware of the artificiality of these modifications and their set design nature.

La Mancha más ciega (The Blindest Spoti) builds on this line of research based on a single material: industrial-grade self-adhesive vinyl printed with a photographic pattern that reproduces wooden planks. Although this vinyl is typically used to standardise, protect or enhance surfaces damaged by use and wear, by adopting it as if it were a modelling and architectural composition material, the artist emphasises the material’s illusory quality and the failure of the decorative…

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La Mancha más ciega
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Photo: Roberto Ruiz / Courtesy: La Capella
SOLO EXHIBITIONON VIEW

La Mancha más ciega

La CapellaJul 14, 2026 — Sep 27, 2026
Jul 14, 2026 — Sep 27, 2026
Sign up free to get notified about exhibitions
Press Release

In her recent projects, Ana Martínez Fernández (Cantabria, 1982) has conducted research into the expansive quality of sculpture. Her pieces cover pavement and obstruct passage; in other cases, they are built clinging to the wall, enveloping it, or arranged as if they were curtains, dividing the space into sections. As sculptures, they act as architectural supplements with which the artist tests out new layouts of the exhibition space, aware of the artificiality of these modifications and their set design nature.

La Mancha más ciega (The Blindest Spoti) builds on this line of research based on a single material: industrial-grade self-adhesive vinyl printed with a photographic pattern that reproduces wooden planks. Although this vinyl is typically used to standardise, protect or enhance surfaces damaged by use and wear, by adopting it as if it were a modelling and architectural composition material, the artist emphasises the material’s illusory quality and the failure of the decorative…

More expand_more
Exhibition Space
View all exhibitions in... Barcelona, ES
Represent La Capella? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Guestbook
All comments: 0
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Metadata
verified Complete entry
Created by brap on Sep 16, 2026 at 14:15
Edits: 0
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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