Jelena Bulajić: Untitled (after)
Kunsthalle Münster•Dec 13, 2025 — Mar 29, 2026
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With Untitled (after) the Kunsthalle Münster will present the first solo exhibition by Jelena Bulajić in a German institution, providing an overview of the work of the Serbian artist. Bulajić's works are tools for exploring the media-mediated view of the world, speculations about dimensions of reality. They possess their own logic of showing and revealing, emerging from an intensive engagement with the pictorial, its conditions and possibilities.
The exhibition brings together various groups of works by the artist, including new pieces created especially for the presentation at the Kunsthalle and, for the first time, sculptures. The juxtaposition of the different groups of works and the interplay of figuration and abstraction reveal a concept of image-making that invites viewers to engage with perception. At a time when we are constantly surrounded by digital images and confronted with the same reception on the screen, Bulajić uses the conditions of painting an…
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Jelena Bulajić: Untitled (after)
Kunsthalle Münster•Dec 13, 2025 — Mar 29, 2026
Press Release
With Untitled (after) the Kunsthalle Münster will present the first solo exhibition by Jelena Bulajić in a German institution, providing an overview of the work of the Serbian artist. Bulajić's works are tools for exploring the media-mediated view of the world, speculations about dimensions of reality. They possess their own logic of showing and revealing, emerging from an intensive engagement with the pictorial, its conditions and possibilities.
The exhibition brings together various groups of works by the artist, including new pieces created especially for the presentation at the Kunsthalle and, for the first time, sculptures. The juxtaposition of the different groups of works and the interplay of figuration and abstraction reveal a concept of image-making that invites viewers to engage with perception. At a time when we are constantly surrounded by digital images and confronted with the same reception on the screen, Bulajić uses the conditions of painting an…
