For ordeal more print,Jelle Martens’ Time Bracketsand Veva Leye’s Primordialformed the starting point, supplemented along the way with related works. Over the years, Time Bracketshas evolved into a series of thousands of superimposed images which can be described as photographic registrations that combine fragments, reproductions and everyday observations into layered prints. Every print layer operates as a temporary framework bringing together images that only temporarily solidify, overlap and fall apart again. Primordialcame into being when a single word presented itself like a kind of Big Bang. Through a simple rule and association, this word initially gave rise to around a hundred (though, in terms of feeling, a seemingly limitless and ever-growing number) of word sequences. These sequences were, in turn, used as material for a montage of new configurations, and so on.

The multi-layered prints of Time Bracketsand the expanding word groups of Primordialengage in a polyphonic…