Like a hole in the wall where a picture used to hang brings together three artists that work with various ways of deconstructing a story. Through their works they listen to landscape, interrupt and investigate processes, and interpret what remains when a story ends.

In Hordaland Kunstsenter’s gallery space, Martine Flor presents a new series of textile, spatial photograms that unfold as a dialogue between analogue photography and sculpture. As a photosensitive liquid is absorbed into the fabric, the threshold between the object’s interior and exterior begins to dissolve, merging into a single imprint. The sculpture’s shielding form accentuates this condition of in-betweenness, functioning as an alternately open and empty volume.

In her practice Flor explores the indexical nature of photography, giving form to the medium’s immaterial states. Her works often capture objects and infrastructures in ways traditional photography cannot. At the art centre she has installed several…