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The materiality of this exhibition—I mean to say the different reference points in the medium and form of the sculptures that make up the two installations in Sara MacKillop’s The Cutaway View—suggested a direction for this exhibition text: an interview in reverse. Answers preceding questions. A conversation discovered in a note on stationary paper left on a desk, a faxed office memo found after hours, or a back-and-forth with a bank teller using an archaic communication system of pneumatic tubes—air pushing plastic containers holding messages through a buried network of tunnels. The work isn’t this (though parts of it are tubular), but it does reference a type of exchange: an invitation to hold space and carry a conversation (with holes in it). Something is being deposited.
HR: How did you start making the bag pieces? Or what was the impetus for this work?
SM: The bag pieces...More
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Press Release
The materiality of this exhibition—I mean to say the different reference points in the medium and form of the sculptures that make up the two installations in Sara MacKillop’s The Cutaway View—suggested a direction for this exhibition text: an interview in reverse. Answers preceding questions. A conversation discovered in a note on stationary paper left on a desk, a faxed office memo found after hours, or a back-and-forth with a bank teller using an archaic communication system of pneumatic tubes—air pushing plastic containers holding messages through a buried network of tunnels. The work isn’t this (though parts of it are tubular), but it does reference a type of exchange: an invitation to hold space and carry a conversation (with holes in it). Something is being deposited.
HR: How did you start making the bag pieces? Or what was the impetus for this work?
SM: The bag pieces...More
