Artist
Artwork Checklist
More Exhibitions at Galerie Rolando Anselmi
Similar Exhibitions
Guestbook
Press Release
Rolando Anselmi is pleased to present MOVIMENTO, the second solo exhibition by Vincenzo Schillaci with the gallery, curated by Gaspare Luigi Marcone. The title MOVIMENTO encapsulates a fundamental aspect of Schillaci’s research: painting as an evolving process, a threshold between matter and image, between gesture and thought. Far from any formal fixity, his practice is structured around a dynamic idea of the image—not as representation, but as unstable apparition. The works on display stage a reflection on the ontology of the image. The four new pieces from the Phàntasma series take shape as layered surfaces, where pigments, marble and quartz powders, plaster, and inks give rise to intermittent visions and fleeting images, emerging and receding like phantoms of perception. Particular emphasis is given to the works Resistenza a un’idea (2025) and Resistenza di un’idea (2025), deliberately positioned at the beginning and end of the exhibition. Both feature “inlays” of two canvases tr…
Exhibition Space
Press Release
Rolando Anselmi is pleased to present MOVIMENTO, the second solo exhibition by Vincenzo Schillaci with the gallery, curated by Gaspare Luigi Marcone. The title MOVIMENTO encapsulates a fundamental aspect of Schillaci’s research: painting as an evolving process, a threshold between matter and image, between gesture and thought. Far from any formal fixity, his practice is structured around a dynamic idea of the image—not as representation, but as unstable apparition. The works on display stage a reflection on the ontology of the image. The four new pieces from the Phàntasma series take shape as layered surfaces, where pigments, marble and quartz powders, plaster, and inks give rise to intermittent visions and fleeting images, emerging and receding like phantoms of perception. Particular emphasis is given to the works Resistenza a un’idea (2025) and Resistenza di un’idea (2025), deliberately positioned at the beginning and end of the exhibition. Both feature “inlays” of two canvases tr…
