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Galerie Max Mayer is delighted to announce the opening of its new gallery space in Berlin, debuting with Non-Gestational Co-Nursing, a solo exhibition by Ei Arakawa-Nash.
Known for their performances, installations, and collaborative scenarios with artists, musicians, writers, and art historians, Arakawa-Nash engages with the legacies of postwar avant-gardes, including Gutai, Jikken Kōbō, Fluxus in Japan/USA/Europe, and New York performance art from the 1960s to the 2000s. Their practice subverts the repetition of art histories, the commodification of experience, and the desire for authenticity.
Arakawa-Nash’s third show with the gallery presents a body of work that offers personal and social reflection on the artist’s new role as a parent. Central to the exhibition is a digitized 16mm film, showing the artist and their partner nursing their children with a chest-feeding device designed for non-gestational parents. By filming various ways of feeding babies, the work challenges…
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Press Release
Galerie Max Mayer is delighted to announce the opening of its new gallery space in Berlin, debuting with Non-Gestational Co-Nursing, a solo exhibition by Ei Arakawa-Nash.
Known for their performances, installations, and collaborative scenarios with artists, musicians, writers, and art historians, Arakawa-Nash engages with the legacies of postwar avant-gardes, including Gutai, Jikken Kōbō, Fluxus in Japan/USA/Europe, and New York performance art from the 1960s to the 2000s. Their practice subverts the repetition of art histories, the commodification of experience, and the desire for authenticity.
Arakawa-Nash’s third show with the gallery presents a body of work that offers personal and social reflection on the artist’s new role as a parent. Central to the exhibition is a digitized 16mm film, showing the artist and their partner nursing their children with a chest-feeding device designed for non-gestational parents. By filming various ways of feeding babies, the work challenges…
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