(eye to eye) (les yeux dans les yeux)
Galerie Eli Kerr•Jul 18, 2026 — Aug 22, 2026
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Galerie Eli Kerr is pleased to present (eye to eye) (les yeux dans les yeux) a group exhibition comprised of sculpture by David Armstrong Six, Valérie Blass, Maggy Hamel-Metsos, Sylvie Hayes-Wallace, Kai Jenrette, Jacob Lepp and Richard Nonas.
On a recent visit to the Museum of Modern Art I spent a considerable amount of time looking at an Isa Genzken Ellipsoid work, thinking about the points of non-contact where the sculpture hovers above the floor. There was a dimension to these works that I could not touch with my eye. When looking at the Genzken, what came to mind was a comment by founding director of the MoMA Alfred H. Barr, cited in a recent public talk in Montreal. Barr described the vision for the museum collection as a “torpedo moving through time.” Piercing into the present day, this provocation gives way to thinking about how the work of artists traverses through history and into the field at large. Some through nonlinear paths making asynchronous impacts, some making…
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(eye to eye) (les yeux dans les yeux)
Galerie Eli Kerr•Jul 18, 2026 — Aug 22, 2026
Press Release
Galerie Eli Kerr is pleased to present (eye to eye) (les yeux dans les yeux) a group exhibition comprised of sculpture by David Armstrong Six, Valérie Blass, Maggy Hamel-Metsos, Sylvie Hayes-Wallace, Kai Jenrette, Jacob Lepp and Richard Nonas.
On a recent visit to the Museum of Modern Art I spent a considerable amount of time looking at an Isa Genzken Ellipsoid work, thinking about the points of non-contact where the sculpture hovers above the floor. There was a dimension to these works that I could not touch with my eye. When looking at the Genzken, what came to mind was a comment by founding director of the MoMA Alfred H. Barr, cited in a recent public talk in Montreal. Barr described the vision for the museum collection as a “torpedo moving through time.” Piercing into the present day, this provocation gives way to thinking about how the work of artists traverses through history and into the field at large. Some through nonlinear paths making asynchronous impacts, some making…




























































